dionne warwick melbourne review


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Warwick begins by setting the phrases of our engagement: be happy to spontaneously sing, clap or dance “if the spirit ought to transfer you”, she instructs. It’s instantly obvious why, as she launches into one among her largest hits proper off the bat, Stroll on By.

As occurs to many terrific vocalists because the years roll on, these pipes ain’t what they was. Warwick can now not attain a lot of the excessive notes, and she or he has rearranged a lot of her songs to swimsuit a decrease register. The general supply is a tad wobbly however there are nonetheless moments of greatness – flashes of recognition of the voice that when deftly meandered by melodies with that textured ease, like trickling molasses.

Dionne Warwick on stage at the Palais Theatre.

Dionne Warwick on stage on the Palais Theatre.Credit score:Rick Clifford

Say A Little Prayer is given a up to date R&B makeover and her eldest son, David Elliott, in any other case on drums, pipes in with some vocal prospers to tie all of it collectively. She even will get him to complete the music for her, in a gesture directly realizing and amusing.

Disappointingly, many of those early Bacharach numbers – I am going to By no means Fall in Love Once more, Anybody Who Had a Coronary heart, Message to Michael and I Want Your Love – are skimmed by in a type of medley. Extra prominence is given to later materials: 1982’s Heartbreaker, written by the Bee Gees, will get an enormous rap, as does 1979’s I am going to By no means Love This Method Once more, the place her voice shines a lot stronger than on a number of the different songs.

Her five-piece band does not put a foot a fallacious however nor have they got a lot spring of their step. Keyboardist Todd Hunter particularly appears about as excited as a toll-booth operator on his lunch break. The matching black-tie dinner fits, sheet music and corny synth ornamentations give the distinct impression of a cruise ship’s in-house leisure.

Warwick, herself beaming beneath these beautiful cheekbones all of the whereas, passes the torch to her granddaughter (drummer David’s daughter) Cheyenne Elliot in the direction of the top, for just a few duets. It is a good contact, even when Cheyenne hasn’t obtained the memo about slippers v heels.

We hear the twenty-something’s newest single – a Motown-style pop music with a key change, recorded with Warwick – and she or he stays for the closing quantity, 1985’s chartbusting AIDS profit music That is What Pals Are For, initially recorded with Stevie Marvel, Elton John and Gladys Knight.

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