“Shield us!” Nico yells, holding the workers out in entrance of her. It is much less an incantation than a last-ditch effort; the workers is her mom’s, so she is aware of that it is magic, she simply does not know how it is magic. 5 different youngsters stand behind her as a would-be kidnapper fires at them, a pistol in every hand. But, none of them duck. A few of that’s standard-issue teenage invincibility, however the remainder is blind religion that Nico can shield them. They’re a unit now, fearlessly plunging headfirst into the unknown, their solely safety the powers they’ve solely lately found.
There’s by no means been a greater time for comic-book reveals on TV—however in an age the place “high quality TV” more and more means “conflicted antihero,” most of these reveals are an train in bleakness. Darkish skies; soiled concrete; poorly lit rooms; and maybe most significantly, protagonists that digress from historically hopeful superhero narratives to cope with some heavy points. Whether or not Jessica Jones excavating previous traumas or Luke Cage internalizing a accountability to guard Harlem superpowers grow to be much less a supply of empowerment than a burden, a cross to bear. On this deluge of darkness, Marvel’s Runaways is a breath of recent air.
The Hulu present, primarily based on Brian Ok. Vaughan and Adrian Alphona’s Marvel comedian a couple of group of high-school college students who uncover that their millionaire mother and father are both a) dangerous, b) superpowered, or c) each, manages to make “youthful glee” one thing you do not even cringe at once you write it. It needs to be too tacky, however one way or the other it is not. You realize that scene in X-Males: First Class the place all the scholars are simply displaying off for one another? Think about that, with a heavy dose of Riverdale: “gifted” teenagers, evil mother and father, and sufficient high-school drama to qualify for even a non-superhero teen cleaning soap. (Simply to additional complicate issues, every member of the group begins to find their very own supernatural energy or extraordinary capacity. Gert, a purple-haired activist, has a telepathic reference to a dinosaur; Karolina, a faux-sunny cultist, can flip right into a glowing beam of multicolored gentle; goth Nico … effectively, goth Nico has her mothers’ workers.)
Midway by means of its 10-episode first season, Runaways has shed its exposition and gotten to the good things: exulting within the powers of its pleasant teen heroes. When Gert discovers her telepathic hyperlink with the genetically engineered dinosaur her mother and father have been hiding of their basement (you learn that proper), her realization is equal elements awe and worry. “Sit,” she tells it, reaches out to rub its nostril, her marvel turning to exhilaration. This energy is not a factor of “nice accountability,” as Uncle Ben would instructed Peter Parker; it is a technique of asserting company in a world that appears to be shifting round her. Teen powers are too typically a facile metaphor for adolescent angst and rise up. As a substitute, Runaways, by discovering the enjoyment within the distinctive, makes use of its characters’ origins to catalyze their progress. When Molly discovers that the perpetrator behind her mysterious malaise is not menstrual cramps, however superstrength, it appears like victory—proof that her physique is hers, not an issue to be solved by presumptuous adults.
Runaways is way from the one teen superhero present on TV—The CW reveals has tailored a handful characters into its well-liked “Arrowverse”—nevertheless it packs an authenticity these different reveals lack. A few of that is because of its artistic pedigree; not solely is Vaughan the thoughts behind critically acclaimed titles like Y: The Final Man and Saga, however the present is helmed by Josh Schwartz and Stephanie Savage, creators of wildly profitable teen dramas Gossip Woman and The O.C.. Regardless of being set in a equally rarefied world of wealth and privilege, Runaways diverges from these two reveals in that its teenage characters really look like youngsters, coping with age-appropriate insecurities like crushes on the in-crowd and peer stress. Additionally, mutant skills. And telepathic reference to dinosaurs.
Even whereas embracing some feel-good cliches—after Nico breaks out the workers, they really high-five to have fun defeating the kidnapper—the present by no means loses monitor of its central rigidity between the youngsters and their mother and father. Though the self-conscious range of the forged sometimes looks like a shameless company ploy to attraction to millennials, the characters aren’t tokenized, or decreased to stereotypes (a selection that’s significantly refreshing in relation to the characters of shade). Positive, Gert is a budding feminist activist, however she has a crush on Chase, who at first look seems to be a traditional jock, however seems to be an engineering whiz.
Sure, Runaways is sometimes tacky, however proper now, there’s room for a bit cheese. When social-media feeds are a timeline of dangerous information and worse conduct, it is not exhausting to search out one thing disheartening, which makes Runaways’ relatable escapism all of the extra essential. Whilst these youngsters are coping with the truth that their mother and father are probably supervillains, their skills stay a supply of autonomy—whereas nonetheless reminding us that magic staffs, gloves that shoot lasers, and dino-bodyguards can even simply be, as Nico would possibly say, kick-ass.