That is simply Sally’s motivation for sharing her assortment with the general public. And to thank the various buddies – and generally full strangers – who’ve purchased her a snow dome, often from their abroad travels.
“My first snow dome was one from Paris, a bit of blue plastic one with the Eiffel Tower in it,” she stated.
“Individuals began to see them at my house and at work and the subsequent factor I knew, I would have a brand new snow dome placed on my desk.”
Amongst her favourites are one of many Twin Towers in New York earlier than the September 11 terrorist assaults which, within the exhibition, is positioned subsequent to a different that includes Floor Zero.
“There is a social historical past there,” Sally stated.
“There’s humour and there is whimsy and they’re clearly cheesy however there’s a social message in a few of them.”
A few of the snow domes’ message is solely to “purchase, purchase, purchase”. Sally has ones from Chanel and Givenchy and Tiffany and Co, reflecting their origins as instruments for promoting in 19th century France.
As Sally explains within the exhibition notes, “with snow domes, there is no such thing as a greatest or worst”.
“They’re all fairly dreadful,” she stated.
“With their garish colors, strange-looking people inside who appear like they’d kill to flee their glass or plastic tomb, to say nothing of the irritating faux snow/glitter/bats in inheritor eyes. Sure bats—try the Jenolan Caves one.
“I like that there’s a Damaged Hill snow dome. That there’s one from Hawaii with water in it (melted snow, get it?)
“One other from Portland, Oregon which rains if you flip it the other way up.
“This apparent illogical-ness might be why I’ve such a ardour for them.”
Sally, who works in media liaison on the Nationwide Library however is on secondment to Parliament Home, stated it was not her in nature to be the story.
“I’m a behind-the-scenes individual so it’s fairly completely different,” she stated. “However the gallery has executed such an exquisite job displaying all of them that it actually is a good reward.”
- All Shook Up is on the Canberra Museum and Gallery till March 17.
Megan Doherty is a reporter for The Canberra Instances