In 2001, a grand overall of 15 tunes hung out at the top of the Billboard Hot 100.
For the unknown, the music publication’s weekly chart puts together information gathered by Nielsen SoundScan associating with the sales efficiency and radio play, ranking the 100 most effective. The list is market requirement. Reaching the top of it is a huge freaking offer. And 20 years earlier, just 15 tunes did it.
Of those 15 tunes, 6 of them– or 40 percent– came from Black females. To put that into some context, Black females were just accountable for 22 percent of theNo 1 strikes in2020 In 2019, simply 12 percent.
Quite just, 2001 was a significant year for Black females in music.
While their contributions continue to be felt year in and year out, no matter their efficiency on the charts, a take a look at the totality of their effect twenty years earlier suffices to have the least nostalgic amongst us yearning for a journey back in time. After all, this was the year that provided us landmark albums from Destiny’s Child, Janet Jackson and Missy Elliott, presented us to Alicia Keys, required us to bid farewell to Aaliyah and saw Whitney Houston make precisely what her estimable skill deserved.
